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Feb
27
Mon
Mondays @ The Mills: Highgate Modern Homes @ Mills Centre, Highgate School
Feb 27 @ 7:00 pm – 8:30 pm

27th February
Highgate Modern Homes

Professor David Porter and Elspeth Clements
Highgate is the location of perhaps the largest and finest concentration of modern homes anywhere in Britain, but because of the historic context and the pressure on land many are hidden away. To celebrate the 50th anniversary of the Highgate Society, Elspeth Clements and David Porter curated an exhibition in the School Museum over the October half-term holiday to showcase Highgate’s pioneering spirit. David Porter is Emeritus Professor of Architecture at the Glasgow School of Art, and Elspeth Clements is a practising architect and Chairman of the Highgate Society Planning Committee.

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.